Kangana Ranaut Accuses Bollywood Mafias of Sabotaging Women-Centric Films After Jigra’s Slow Start
Kangana Ranaut has stirred up controversy again, this time accusing Bollywood’s “movie mafias” of deliberately sabotaging women-centric films. In a recent Instagram story, she wrote, “When you spoil women-centric films and make sure they don’t make money, they won’t. Read again. Thank you.” This statement follows the slow box office performance of Alia Bhatt’s latest film Jigra, leading many to believe that Kangana is targeting powerful insiders in the industry, specifically Karan Johar, with whom she has had a long-running feud.
Kangana has repeatedly claimed that a group of influential people in Bollywood controls the success and failure of films, especially those that promote strong female characters. With Jigra struggling to perform, Kangana’s comments suggest that the film’s lack of success isn’t due to audience disinterest but because these industry elites are making sure it fails. Although she didn’t mention names, her history of calling out Karan Johar for nepotism makes it clear who she is likely referring to.
Kangana and Karan Johar’s rivalry has been public for years, with her accusing him of being the “flag-bearer of nepotism” and critiquing his power in Bollywood. Now, with Jigra facing challenges, Kangana’s latest remarks have once again brought attention to the power dynamics in the industry.
At the same time, Kangana’s own ambitious project Emergency is set to release soon. The film, in which she plays former Prime Minister Indira Gandhi, has sparked controversy, particularly from the Sikh community, due to its political content. Many believe that Emergency may also face difficulties at the box office, not just because of its subject matter but because of Kangana’s ongoing conflict with Bollywood insiders.
Kangana has invested her own money and efforts into Emergency, making it one of her most personal projects. However, her frequent confrontations with industry figures might affect the film’s performance. If those in power begin to speak out against the film, it could face similar hurdles as Jigra.
While Kangana’s fans admire her boldness, her constant criticisms of Bollywood powerhouses may hurt her own films in the long run. As Emergency nears its release, her outspoken nature could work against her, especially if industry insiders influence public opinion against the film.
Stay tuned to Bollywood Pollywood Lifez for more updates.
Also Read: Jigra Review: A Riveting Emotional Thriller with Stellar Performances
Jigra is a bold and self-aware film that could easily be counted among Hindi cinema’s finest thrillers. It goes beyond just delivering a gripping narrative; it immerses viewers in a tale charged with emotion, leaving a lasting impact. At its core, Jigra is the story of Satya (Alia Bhatt), a young woman who has shouldered the responsibility of raising her younger brother Ankur after being orphaned as children. The bond between them is the emotional backbone of the film, and it forms the driving force behind every decision Satya makes.
They live with a distant, affluent relative who employs Satya as a staff member. Ankur, an ambitious engineer, proposes a business plan to their uncle, who agrees to invest, albeit with the unspoken condition that his son will be made a partner. The story then shifts to Hanshi Dao, a fictional nation with strict laws akin to North Korea, where even laughing and crying are criminalized.
Ankur, his cousin, and Satya travel there to meet an investor, but things take a dark turn. During a traffic stop, the cousin is found with drugs, leading to their immediate arrest. With Hanshi Dao’s severe anti-drug laws, Ankur faces the death penalty via electric execution. Framed by his cousin and betrayed by his lawyer, Ankur has just three months left to live. Satya, unrelenting in her determination, sets off to Hanshi Dao to fight for her brother’s life, knowing no legal help will come. What she does to protect her sibling is the gripping crux of this thriller.
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Also Read: Vicky Aur Vidya Ka Woh Wala Video: Entertaining, But Missing the Magic
Vicky Aur Vidya Ka Woh Wala Video transports viewers back to 1997 with a quirky storyline and nostalgic charm. Starring Rajkummar Rao and Triptii Dimri, the film promises lighthearted entertainment, but while it delivers on the laughs, it struggles to capture the kind of magic that makes for a truly memorable cinematic experience.
The story follows Vicky (Rajkummar Rao), a lively mehendi artist, and his new wife Vidya (Triptii Dimri), a doctor. Their post-wedding life takes an unexpected turn when their house is robbed, and a private recording of the couple goes missing with the stolen TV system. This humorous setup creates plenty of comedic moments, but as the film Vicky Aur Vidya Ka Woh Wala Video tries to weave in more serious undertones, it loses its balance, leaving the audience with a somewhat uneven experience.
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Also Read: Ratan Tata’s only failed Venture: Bollywood film Aetbaar
Ratan Tata, known for his visionary leadership and business empire, once stepped into Bollywood with Aetbaar (2004). The psychological thriller, starring Amitabh Bachchan, Bipasha Basu, and John Abraham, was expected to be a hit due to its stellar cast and Tata’s involvement. The film told a gripping story about obsession and trust, but despite the high hopes, it failed to capture the audience’s attention at the box office.
While Tata’s Bollywood debut didn’t succeed, it remains a unique part of his legacy. Aetbaar was a bold attempt to explore an entirely different industry, showing Tata’s adventurous spirit. Although the movie didn’t make waves commercially, it reflects his desire to take risks and dive into new experiences, even beyond the world of business.
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Also Read: Ratan Tata Dies at 86 Punjabi Celebrities pay tribute to the Indian Tycoon for tireless contributions.
The untimely death of Ratan Tata has left the nation, including the Punjabi entertainment industry, heartbroken. Punjabi celebrities like Diljit Dosanjh, Gippy Grewal, Neeru Bajwa, and Ammy Virk have paid their respects, recognizing Tata’s extraordinary legacy of philanthropy and compassion.
Ratan Tata was more than just an industrialist; his contributions to society, especially in education and healthcare, deeply touched the hearts of millions. Punjabi stars have acknowledged his influence, with Diljit calling Tata a “true gem” and Gippy emphasizing how Ratan Tata’s humanitarian efforts have transformed countless lives.
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